FATEFUL FINDINGS FULL MOVIE HOW TO
FATEFUL FINDINGS FULL MOVIE MOVIE

FATEFUL FINDINGS FULL MOVIE MOVIE

From the low-budget incompetence of Plan 9 From Outer Space and the insane Deathbed: The Bed That Eats to high-budget professional disasters like Showgirls and Battlefield Earth, something must hit a primitive part of our brains that enjoys watching something that seems to clash with all of our established understanding of how a movie is supposed to be.Īnd it’s not just one element in these “so bad they’re good” films that’s off. No, what we seek out are the abysmal: films that should have never gotten past the script phase but were somehow cast, filmed, edited, and released for all the world to see. These are then shuffled off into the catacombs of daytime airings on Showtime and the dregs of streaming services, never reaching over two stars in their ratings and the kind of movies you recommend to people you know have low-power taste receptors. It lacks the camp appeal of those other ones.Not just bad or mediocre movies – those are depressingly common and a distressing amount are released each year from major and independent studios alike. While it seems just as incompetent as The Room and Birdemic, it looks a lot more boring. I definitely don’t think I’ll be checking this movie out.

FATEFUL FINDINGS FULL MOVIE HOW TO

Also, does he know how to smile? Or show any emotion at all? For most of the movie, he just has this ‘eh, whatever’ look on his face, no matter the situation. It’s a sign of bad writers with big egos. I’m willing to bet the characters that Breen himself plays in his other movies are all the perfect types as well. And he can even hack better than any professional hacker and find out all the dirty little secrets that no one else could. Of course Neil Breen has made his own character a Gary-Stu type. Even the two of you discussed how much of a chore this movie was to watch.Īlso, I’m pretty sure that mushroom at the beginning was a bread roll. Yeah, the bad acting is amusing especially with Breen’s character reacting to the guy’s apparent suicide, but even in clips a lot of this looks just dull. I’ve seen Neil Breen’s stuff being compared to things like The Room and Birdemic, but those movies at least seem to be entertaining in their horrendousness. It’s like modern art, particularly the part where you feel ill looking at it and where it makes you love yourself less.

The film sucks an hour or two from your life force, and yet you may as well have just blown past it on the roadside going 99 miles per hour. What happens in one scene is so irrelevant to what will happen in the next, or the overall movie, for that matter, that the plot is seen more or less in peripheral.

Just watching this review I had no idea what the sequential order of scenes was, and was desperately attempting to piece the timeline together until I realized it could be in literally any order and have zero impact on the film proper. This film is only outdone in audiovisual spontaneity by 1990s screensavers. Now place Fateful Findings on almost the very tip of the left side of the spectrum. In accordance with the normal distribution principal of probability theory, most of all movies ever made will likely fall somewhere in the middle. The further left a movie is, the less all of its individual scenes contribute to the point of the film. Place the immaculate films, the ones that don’t waste a single frame on celluloid, at the far right, and place them further away from the right the less tight and concise they are. Imagine plot cohesion in films as a spectrum.

Fateful findings full movie